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A student at Gray’s School of Art has attempted to get under the skin of one of the country’s most enigmatic figures as part of her Masters project.
Anne Murray, a creative practitioner about to finish an MFAContextualised Practice degree at Gray’s, has created a 21st century persona, complete with blog, Twitter account and film, for Rhynie Man – the name bestowed on a six-foot tall Pictish stone carving of a warrior discovered in the Aberdeenshire village in 1978.
The project, which was launched a year ago, has seen Anne working to raise awareness of Rhynie Man – which stands in the Aberdeenshire Council headquarters at Woodhill House in Aberdeen – among the local community via social media channels and engagement with local schoolchildren on various arts projects.
She has also created a map of the area which highlights areas of historical significance and set out on a ‘pilgrimage’ tracing a route from Aberdeen to Rhynie as a way of marking the stone’s spiritual return to the village.
An archaeological dig is currently on-going in Rhynie as part of the bid to discover more about the stone’s origins and the significance of the site.
Anne said: “We know very little about the Picts and it appears they used other means of communication such as their enigmatic symbol stones. Archaeologists are at an early stage of learning about them and this creates the opportunity for artists to be creative and playful.
“Working with the artist collective Rhynie Woman and Aberdeenshire Council, I first set out to create a stronger presence for Rhynie Man in the community and help create awareness of the stone and its significance.
“This took the form of a blog, written in the first person by Rhynie Man, as well as a Twitter account. I also spent a day with the local school children creating Valentine’s cards and poetry for Rhynie Man which were then hand delivered to him at Woodhill House.”
She added: “The route that I am walking as part of Rhynie Man’s spiritual journey home takes in a number of other standing stones with carved symbols.
“Using the images on these stones, I have created a story about Rhynie Man’s journey home featuring six of the symbols and also created laser etched ‘alms’ to give out along the route to passers-by, as was the tradition of pilgrims.”
A stop motion film – ‘Rhynie Man: The Movie’ – created by Anne to tell the story of the stone was screened in the village on August 31, which posed an open question to the community.
“It asks them what they want to happen to Rhynie Man,” Anne explained. “It is a way of opening up that conversation and the project up until this point has really been laying the groundwork for that debate. This is just the beginning of what will be an on-going project. ”
Anne’s work is currently on display at Gray’s School of Art as part of the ‘C³: Collaborative Contextual Conversations’ exhibition showcasing a range of work by current full and part time Masters students. The show runs until Friday, September 11.
“I have set up the space so that visitors are effectively entering Rhynie Man’s enclosure, as the man himself,” Anne said. “As you come into the space, there is a full sized vinyl cut out on the floor of Rhynie Man which is his shadow being thrown as he comes into the room, then people must trace his route home from Aberdeen to Rhynie.”
On display as part of the exhibition are a number of objects linked to the project, including a hand carved staff, the laser etched alms and the stop motion film.
Looking back at the Masters course, Anne said: “It has been hard work, no one can deny that. I have enjoyed being challenged and reflecting on my own practice and seeing how my art fits into the world – it has been a really, really useful experience.”
Jenny Rush Communications Officer | Design and Technology